TV Movie documentary, 2018
By Yoko Ono
Direction: Ben Dickinson
Color, stereo
Duration: 3’04”

A music video for the first excerpt from Plastic Ono Band’s album, Take Me to the Land of Hell (2013), Bad Dancer depicts the artist along with several characters from the New York scene dancing in a silvery space and includes a few references to works the artist has done, such as Film No. 1 (Match), Ceiling Painting and Touch Me.

1966/1967
by Yoko Ono
Director: Yoko Ono
B/N, mono
Duration: 78’51″

An extended version of an earlier project, it stems from the desire to create a petition in which the signatures are replaced by the bodies of the signers. A long series of close-ups of backsides saturates the frame, canceling out the background and dividing the screen into four sections. The movement and anatomical particularities of the protagonists give variety to the formal structure. The soundtrack is made up of the impressions and comments of the participants, exponents of the London scene called together by word of mouth.

1968
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 59’48″

Eva Majlath is followed incessantly by cameraman Nic Knowland, who, following the instructions already outlined by the artist in 1968, filmed the young woman for two days, not caring about her privacy, relentlessly invading her personal space.

1968
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, stereo
Duration: 18’47”

To the notes of their eponymous album and ambient sounds, the figures of Yoko Ono and John Lennon overlap until they merge into a single image.

1970
by John Lennon
Director: John Lennon and Yoko Ono
Color, mono
Duration: 17’49”

A long piano-sequence that, starting from the faces of John Lennon and Yoko Ono, moves to reveal, from the top of a balloon, the desolate winter landscape over Laveham (Sussex) until it crosses the clouds and reaches a bright and sunny sky, in an almost paradisiacal atmosphere.

1968
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 49’21”

Yoko Ono portrays John Lennon’s smile in his Kenwood garden with a high-speed car, elevating it to an emblem of the smile of everyone in the world. The scrolling of these low-speed images is accompanied by ambient noises. Viewers are invited to accompany the performance with live music.

1970
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 70’55″

The film traces the week that Yoko Ono and John Lennon, in protest against the Vietnam War, chose to spend in bed in their hotel room in Montreal, in May 1969, between political debates and interventions of friends, including Timothy Leary, Allen Ginsberg, journalists and photographers who came to document the event.

Translated with www.DeepL.com/Translator (free version)

1970
by Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 24’00”

The motionless body of a young woman is revealed by a series of close-ups that follow the movement of a fly. The female body is presented as a fragmented landscape, observed with subtle humor by the gaze of an animal and not as an object of male desire. Yoko Ono’s voice accompanies the video, assisting the insect’s exploration.

1971
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 1’05″

Made for the 1971 Chicago Film Festival, the film depicts in slow motion the artist’s attempt to rip off her bra with deliberately theatrical movements, ending without revealing the outcome of the action.

1971
by John Lennon
Director: John Lennon and Yoko Ono
Color, stereo
Duration: 17’17”

The brainchild of John Lennon, the film consists of photographs that document the construction of the London International Hotel, between 1970 and 1971, from a single point of view. The soundtrack, taken from Yoko Ono’s album Fly, includes ambient noises produced by the construction site under construction.

1970
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 8’47″

The film recounts the reactions of the public that had come to the Museum of Modern Art to visit an imaginary retrospective dedicated to Yoko Ono, announced by the artist through the newspapers. Upon arriving at the museum, only a cameraman, assigned by the artist to document the feelings caused by the absence of the exhibition, awaits them.

1971
by Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 3’55”

Yoko Ono, John Lennon, Jerry Rubin, Chris Osborne and Eddie Mottau perform the song Sisters, O Sisters, which first appeared on John Lennon and Yoko Ono’s 1972 album Some Time in New York, during a benefit concert for the Attica Prison riots on December 17, 1971, at the Apollo Theatre in Harlem, New York.

1981
by John Lennon
Director: Yoko Ono
Color, stereo
Duration: 3’36″

Created following John Lennon’s death, the video illustrates the single from John Lennon’s 1980 album Double Fantasy, with amateur footage of the couple and private images of Yoko Ono.

1981
by Yoko Ono
Director: Yoko Ono
Color, stereo
Duration: 2’36”

Made following the death of John Lennon, the video illustrates the single taken from Yoko Ono’s 1981 album Season of Glass, with amateur footage depicting the couple and private images of Yoko Ono.

1982
di Yoko Ono
Regia: Yoko Ono
Colore, stereo
Durata: 5’58”

Realizzato in seguito alla scomparsa di John Lennon, il video illustra il singolo estratto dall’album Season of Glass di Yoko Ono del 1981, con filmati amatoriali che ritraggono la coppia e immagini private di Yoko Ono.

1966/1967
by Yoko Ono
Director: Yoko Ono
B/N, mono
Duration: 78’51″

An extended version of an earlier project, it stems from the desire to create a petition in which the signatures are replaced by the bodies of the signers. A long series of close-ups of backsides saturates the frame, canceling out the background and dividing the screen into four sections. The movement and anatomical particularities of the protagonists give variety to the formal structure. The soundtrack is made up of the impressions and comments of the participants, exponents of the London scene called together by word of mouth.

1968
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 59’48″

Eva Majlath is followed incessantly by cameraman Nic Knowland, who, following the instructions already outlined by the artist in 1968, filmed the young woman for two days, not caring about her privacy, relentlessly invading her personal space.

1968
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, stereo
Duration: 18’47”

To the notes of their eponymous album and ambient sounds, the figures of Yoko Ono and John Lennon overlap until they merge into a single image.

1970
by John Lennon
Director: John Lennon and Yoko Ono
Color, mono
Duration: 17’49”

A long piano-sequence that, starting from the faces of John Lennon and Yoko Ono, moves to reveal, from the top of a balloon, the desolate winter landscape over Laveham (Sussex) until it crosses the clouds and reaches a bright and sunny sky, in an almost paradisiacal atmosphere.

1968
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 49’21”

Yoko Ono portrays John Lennon’s smile in his Kenwood garden with a high-speed car, elevating it to an emblem of the smile of everyone in the world. The scrolling of these low-speed images is accompanied by ambient noises. Viewers are invited to accompany the performance with live music.

1970
by John Lennon and Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 70’55″

The film traces the week that Yoko Ono and John Lennon, in protest against the Vietnam War, chose to spend in bed in their hotel room in Montreal, in May 1969, between political debates and interventions of friends, including Timothy Leary, Allen Ginsberg, journalists and photographers who came to document the event.

Translated with www.DeepL.com/Translator (free version)

1970
by Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 24’00”

The motionless body of a young woman is revealed by a series of close-ups that follow the movement of a fly. The female body is presented as a fragmented landscape, observed with subtle humor by the gaze of an animal and not as an object of male desire. Yoko Ono’s voice accompanies the video, assisting the insect’s exploration.

1971
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 1’05″

Made for the 1971 Chicago Film Festival, the film depicts in slow motion the artist’s attempt to rip off her bra with deliberately theatrical movements, ending without revealing the outcome of the action.

1971
by John Lennon
Director: John Lennon and Yoko Ono
Color, stereo
Duration: 17’17”

The brainchild of John Lennon, the film consists of photographs that document the construction of the London International Hotel, between 1970 and 1971, from a single point of view. The soundtrack, taken from Yoko Ono’s album Fly, includes ambient noises produced by the construction site under construction.

1970
by Yoko Ono
Director: Yoko Ono
Color, mono
Duration: 8’47″

The film recounts the reactions of the public that had come to the Museum of Modern Art to visit an imaginary retrospective dedicated to Yoko Ono, announced by the artist through the newspapers. Upon arriving at the museum, only a cameraman, assigned by the artist to document the feelings caused by the absence of the exhibition, awaits them.

1971
by Yoko Ono
Director: John Lennon and Yoko Ono
Color, mono
Duration: 3’55”

Yoko Ono, John Lennon, Jerry Rubin, Chris Osborne and Eddie Mottau perform the song Sisters, O Sisters, which first appeared on John Lennon and Yoko Ono’s 1972 album Some Time in New York, during a benefit concert for the Attica Prison riots on December 17, 1971, at the Apollo Theatre in Harlem, New York.

1981
by John Lennon
Director: Yoko Ono
Color, stereo
Duration: 3’36″

Created following John Lennon’s death, the video illustrates the single from John Lennon’s 1980 album Double Fantasy, with amateur footage of the couple and private images of Yoko Ono.

1981
by Yoko Ono
Director: Yoko Ono
Color, stereo
Duration: 2’36”

Made following the death of John Lennon, the video illustrates the single taken from Yoko Ono’s 1981 album Season of Glass, with amateur footage depicting the couple and private images of Yoko Ono.

1982
di Yoko Ono
Regia: Yoko Ono
Colore, stereo
Durata: 5’58”

Realizzato in seguito alla scomparsa di John Lennon, il video illustra il singolo estratto dall’album Season of Glass di Yoko Ono del 1981, con filmati amatoriali che ritraggono la coppia e immagini private di Yoko Ono.