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1946 Born in Belgrade, Yugoslavia.
Lives in New York City.

SELECTED EXHIBITIONS

2010 Solo "PERSONAL ARCHAEOLOGY" Sean Kelly Gallery, New York, USA

2010 Solo "THE ARTIST IS PRESENT " The Museum of Modern Art, New York, USA.
Group "100 YEARS", PS1 Contemporary Art Center, New York, USA.

2009 Gropu " Essential Experiences " Palazzo Riso, Palermo, Italy
Group "8 LESSONS ON HAPPINESS WITH A HAPPY END," Center for Contemporary Art, Tel Aviv Israel
Group KASSELER DOK FEST, Kasseler Kunstverein, Kassel, Germany
Group 1989. End of History or Beginning of the Future?, Austrian Cultural Forum, New York, USA
Group 1989. End of History or Beginning of the Future?, Kunsthalle Wien, Vienna, Austria
Group Moscow Biennale, Moscow, Russia
Group "VIDENIE," Guelman Gallery, Moscow, Russia
Group Femmes et l'art (Women's Work), Centre Pompidou, Paris, France
Group Screening, WRO Art Center, Wroclaw, Poland
Group Invasion of Sound, Zacheta National Gallery, Warsaw, Poland
Group The First Stop on the Super Highway, New Jersey Performing Arts Center, Newark, NJ, USA
Group Club des Femmes' Body of Work, Institute of Contemporary Arts, London, United Kingdom
Group POURQUOI ATTENDRE, Centre d'Art de Geneve, Geneva, Switzerland
Group ESSENTIAL EXPERIENCES, Palazzo Riso, Museo d'Arte Contemporanea della Sicilia, Palermo Italy.
Group GO EAST II, Mudam Luxemborg, Luxemborg.
Group MESSIAHS - Modem / Centre for Modern and Contemporary Art - Debrecen, Hungary.
Group Mahlzeit - Galerie Im Traklhaus - Salzburg, Austria.
Group The Third Mind, Solomon R. Guggenheim Museum, New York.
Group MI VIDA Live experience in Art from Musac Collect. , Mucsarnok / Kunsthalle Budapest, Hungary.

2008 Group Rough Guide to Amsterdam, Magacin, Belgrade, Serbia
Group Moving Images/Moving Bodies, Centre for Contemporary Arts Glasgow, Glasgow, United Kingdom
Group "Video Performance Models of Self Reflection " - Ausstellungshalle Kunst - Münster, Germany.
Solo The Onion - Western Michigan University Gwen Frostic School of Art - Kalamazoo MI, USA.
Group Screening, Artsonje Center, Seoul, South Korea.
Solo " TRANSITORY OBJECTS " - Gallery Brito Cimino - Sao Paulo, Brazil.
Solo " 8 LESSONS ON EMPTINESS WITH A HAPPY END " , Gallery Guy Bartschi ,
Geneva, Switzerland
Solo " 8 LESSONS ON EMPTINESS WITH A HAPPY END " , Gallery beaumontpublic ,
Luxembourg, Luxembourg
Group Fragile, Julia Stoschek Collection, Dusseldorf, Germany
Group Knockin' on Heaven's Door, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Group FEMINAE , Gallery Guy Bartschi , Geneva, Switzerland
Group Self as Selves, Irish Museum of Modern Art, Dublin, Ireland.
Group A Spae of Time , La Fabrica Gallery, Madid, Spain.
Group 28th Bienal de Sao Paulo, Sao Paulo, Brazil
Group The Art of Participation: 1950 to Now, San Francisco Museum of Modern Art, San Francisco, Ca
Group WACK! Art and the Feminist Revolution. P.S.1. Contemporary Art Center, Long Island City,
New York.
Group Person of the Crowd: The Contemporary Art of Flânerie, Neuberger Museum, Purchase,
New York.
Group Martian Museum of Terrestrial Art, Barbican Art Gallery, London.
Group Platform Seoul, Contemporary Art Museum, Kumamoto(CAMK).
Group The Hands of Art Stedelijk Museum, Amsterdam Holland.

2007 Group Carlos Urroz Proyectos, Ibiza, Spain.
Group Exhibition Pain/Schmerz, Hamburger Bahnhof, Berlin, Germany.
Group MOCA, Los Angeles, USA.
Group Museum of Modern and Contemporary Art, MMSU Croatia.
Group Observatori festival, Valencia, Spain.
Group Living Arts of Tulsa, USA.
Group Video Apartment- bodycity, Docklands, Dublin, Ireland.
Group 53rd International Short Film Festival, Oberhausen, Germany.
Group Canvas, 'LUX Jan Hoet, Broadcast rights, Belgium.
Group Ohnmacht, Muthesius Kunsthochschule, Kiel, Germany.
Group Vitoria , Centro Cultural Montehermoso Kulturena, Gasteiz, Spain.
Group Festival Cote Court, Transat Vidéo / Brent Klinkum, Pantin, France.
Group Into Me/Out of Me, Museo MACRO, Roma, Italy.
Group Brakke Grond, Project Perform, Amsterdam, Netherlands.
Group Mulher, Mulheres', Sao Paulo Brasil.
Group Prague Biennale 3, Czech Republic.
Group La fiaba contemporanea, Art Sanio Campania, Benevento, Italy.
Group The Glamour of Violence, DasArts, Amsterdam, Netherlands.
Group Galeria Brito Ciminio at Shanhai Art Fair, Shangai, China.
Group Student Exam, NIMk, Netherlands.
Group Foodscapes, Art & Gastronomy, Solares fondazione delle Arti , Parma
Italy
Group Auto emotion, The Power Plant, Toronto, Canada.
Group Centre d'Art Contemporaine, Geneve, Switzerland.
Group True Romance, Kunsthalle Wien, Vienna, Austria.
Group Kunstmuseum, Bonn, Germany
Group John Hansard Gallery, Southampton UK
Group Surrounding the Subject, Visual Arts Center, Cambridge MA, USA.
Group University of Amsterdam, ASCA, Nertherlands.
Group The balance of power, Para/Site Art Space, Hong Kong, China.
Group Museum of Modern and Contemporary Art, MMSU, Croatia.
Group Julia Stocheck Collection, Düsseldorf, Germany.
Group Project Bridge, Moskee Bos en Lommer, Amsterdam, Netherlands.
Group Nagoya City Art Museum, Naka-ku-Sakae, Japan.
Group FRAC de Lorraine, Metz, France.
Group Structures and Surfaces , Sean Kelly Gallery, New York US.
Group Art Basel Conversation – Premiere in Honor of Marina Abramovic
Art Basel, Miami Beach US
Group Fortunate Objects, Ella Fontanas Cisneros Collection, Miami US.
Group The Missing Piece, Yerba Buena Center for Arts, San Francisco US.
Group Gehen Bleiben, KunstMuseum, Bonn, Germany.
Group Gugennheim Collection: 1940s to Now, National Gallery of Victoria,
Melbourne, Australia.
Group Seven Easy Pieces , Gender Bender Festivel, Bologna , Italy.
Group True Romance, KUNSTHALLE, Wien, Austria.
Solo Marina Abramovic Retrospective, Kappatos Gallery, Athens, Greece.
Group Seven Easy Pieces e Making the Balkans Erotic, MAXXI, Rome, Italy.
Group Seven Easy Pieces, KunstFilmBiennale, Cologne, Germany.
Group Best Regards from the Blind Spot, Centro Cultural Montehermoso, Vitoria,
Spain .
Solo Balkan Erotic Epic, Living Arts, Tulsa, OK.
Balkan Erotic Epic, Cent8-Serge Le Borgne, Paris, France.
Balkan Erotic Epic, La Fabrica Galeria, Madrid, Spain.

2007 Group
Art Metropole: The Top 100, Ottawa, Ontario, The National Gallery of Canada.
After the Revolution: Women Who Transformed Contemporary Art, Dorsky Gallery, Curatorial Programs, Long Island City, NY.
Auto Emotion: Autobiography, emotion and self-fashioning, The Power Plant, Toronto, Canada.
Between Art and Spirituality, Centre Pompidou, Paris, France.
Into Me / Out of Me, Macro, Rome, Italy.
Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York, NY.
The Missing Piece, Rubin Museum of Art, New York, NY.
Mulher Mulheres, SESC Avenida Paulista, Sao Paulo, Brazil.
New Genre Festival XIV, Living Arts, Tulsa, OK.
Ohnmacht Muthesius, Kunsthochschule, Kiel, Germany.
Quadrennial, Prague, Czech Republic.
PURE, Sean Kelly Gallery, New York.
Renegades, Exit Art, New York, NY.
Role Exchange, Sean Kelly Gallery, New York.
Role Play: Feminist Art Revisited 1960-1980, Galerie Lelong, New York, NY.
Schmerz, Hamburger Bahnhof, Berlin, Germany.
Vertigo: The Century of Off-Media Art and Futurism to the Web, Museo d’Arte Moderna, Bologna, Italy.
WACK! Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles, CA.

2006 Solo Balkan Erotic Epic, SESC, San Paulo, Brazil.
Balkan Epic, Art for the World Project, Pirelli, Milan, Italy.
2006 Group Into Me / Out of Me, PS1, New York, NY; KW Institute for Contemporary Art, Berlin, Germany.
Unlearn, Plug In ICA, Winnipeg, MB, Canada.
WATCH OUT, Beaumontpublic, Luxembourg.

2005 Solo Art must be beautiful, Artist must be beautiful, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
Balkan Erotic Epic, Sean Kelly Gallery, New York.
The Biography Remix [Performances], Avignon Theatre Festival, Avignon, France.
Photographies et Objets/Count On Us, Galerie Guy Bärtschi, Geneva, Switzerland.
(Re)Presenting Performance [Symposium], Solomon R. Guggenheim Museum, New York.
Self Portrait with Skeleton [Performance], Art Basel, Art Unlimited, Basel, Switzerland.
Seven Easy Pieces [Performances], Solomon R. Guggenheim Museum, New 2005 Group 5th Mercosul Biennial, Porto Alegre, Brazil.
Another Expo: Beyond the Nation-State, Kitakyushu Municipal Museum of Art, Japan; White Box, New York.
The Artist’s Body. Then and Now, Centre d’Art Contemporain, Genève,
Switzerland.
CCA Kitakyushu Artist’s Books, Christophe Daviet-Thery, Paris.
Conflict: Perspectives, Positions, Realities in Central European Art, Slought Foundation, Philadelphia, PA.
Donna Donner, Palazzo Strozzi, Florence, Italy.
DreamingNow, The Rose Art Museum, Brandeis University, Waltham,
Mass.
East Art Museum – A (Re) Construction of the History of Contemporary Art (1945-1985) in Eastern Europe, Karl Ernst Osthaus-Museum, Hagen, Germany.
Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, New York.
Fragments of Time, Yellow Bird Gallery, Newburgh, New York.
The Gesture, Macedonian Museum of Contemporary Art, Thessaloniki, Greece; Quarter, Center for Contemporary Arts, Florence, Italy.
Getting Emotional, The Institute of Contemporary Art, Boston, MASS.
Indeterminant States, Cisneros Fontanals Art Foundation (CIFO), Miami, FL.
La Galleria dell’Amore: Let Love Blossom with IPG [Curator], Galleria Civica di Arte Contemporanea, Trento, Italy. Me, Myself and I: artist self-portraits from the Heather & Tony Podesta Collection, Curator’s Office, Washington, DC; Contemporary Art Center of Virginia, Virginia Beach, VA.
Melancholia, Jensen Gallery, Auckland, New Zealand.
Miradas Y Conceptos En La Collección Helga de Alvear, Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain.
Suddenly Older, Clifford Art Gallery, Colgate University, Hamilton, NY.
Take Two. Worlds and Views: Contemporary Art from the Collection, Museum of Modern Art, New York, NY.
Videographies – The Early Decades from the EMST collection, National Museum of Contemporary Art, Athens, Greece.

2004 Solo Biography Remix, Fondazione Roma Europa, Rome, Italy.
Performing Body: Video Works By Marina Abramovic, The Speed Art
Museum, Louisville, KY.
Loop Performance, (IPG) P.S.1 Contemporary Art Center, New York, NY.
2004 Group Art Unlimited: ArtBasel 2004, Basel, Switzerland.
Exhibit and Silent Auction, Marianne Boesky Gallery, New York, NY.
Belgrade Art Inc, Secession, Austria.
Cetinje Biennial, Ceninje, Montenegro.
Camera/Action, Museum of Contemporary Photography, Columbia
College, Chicago, IL.
Collected Views from East to West, Generali Foundation, Austria.
Depicting Love, Kunstlerhaus Bethanien, Berlin, Germany.
Maya Lin: Earth Drawings, The Wanas Foundation, Sweden.
Performance en Vivo, Museo de Arte, Puerto Rico.
2004 Biennial, Whitney Museum of American Art, New York, NY.
Performing Body, Speed Art Museum, Louisville, KY.
Video Killed the Radio Star, La Fabrica Gallery, Spain.

2003 Solo The Netherlands Media Art Institute, Montevideo/Time Based Arts,
Amsterdam, The Netherlands.
Student Body, Centro Galego de Arte Contemporánea, Santiago de
Compostela, Spain.
The Star, Contemporary Art Museum, Kumamoto, Japan.
La Fábrica, Madrid, Spain. Traveling exhibition/ Traveled to Maragame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan (2004).
2003 Group The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse
Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY.
Video Evenings, MARTa pre-opening event, MARTa Herford/Museum of
Art and Design, Herford, Germany.
Air, James Cohan Gallery, New York, NY.
Banquete – International Traveling Exhibition, Palau de la Virreina,
Barcelona, Spain. Traveled to ZKM Center for Art and Media, Karlsruhe, Germany; Centro Cultural Conde Duque, Madrid, Spain.
upon reflection…., Sean Kelly Gallery, New York, NY.
Video Acts: Single Channel Works from the Collections of Pamela and
Richard Kramlich and New Art Trust, P.S. 1 Contemporary Art Center, NewYork, NY. Traveled to Institute of Contemporary Arts, London, England.

2002 Solo The House with the Ocean View, Sean Kelly Gallery, New York, NY.
Galleria Lia Rumma, Milan, Italy.
Galerie Cent8, Paris, France.
2002 Group Oxygen, Whitebox Art Gallery, New York, NY.
Barbara Krakow Gallery, Boston, MA.
Moving Pictures, Solomon R. Guggenheim Museum, New York, NY.
Building Structures, P.S.1. Museum of Modern Art, Long Island City, NY.
In Search of Balkania, Neue Galerie am Landesmuseum Joanneum, Graz,
Austria.

2001 Solo Marina Abramovic: The Hero, The Hirshhorn Museum and Sculpture
Garden, Washington, DC.
Marking the Territory, The Irish Museum of Modern Art, Dublin, Ireland.
The Hunt, (video installation), Project Gallery at Center for Contemporary
Art Kitakyushu, Kitakyushu, Japan.
Spirit Houses, (site-specific project), Bourganeuf, France; Fondazione Antonio Ratti, Como, Italy.
Energy Clothes, (performance and video installation), Atelier Calder,
Saché, France.
2001 Group Body and the East: From the 1960's to the Present, Exit Art, New York,
NY.
Echoes of the Scream, ARKEN Museum of Modern Art, Ishoj, Denmark.
El Instante Eterno, Espai D'Art Contemporani de Castelló, Valencia, Spain.
Giganti: Arte Contemporanea, Fori Imperiali, Rome, Italy.
Holy Sports and 13, (video installation), Center of Academic Resources,
Chulalongkorn University, Bangkok, Thailand.
Hypermental - Wahnhafte Wirklichkei 1950-2000, Hamburger Kunsthalle,
Hamburg, Germany.
Pat Hearn Gallery: Part 2 (1988-1994), Pat Hearn Gallery, New York, NY.
Site Specific Projects, (video installation and site-specific project),
N.M.A.C.
Montenmedio Arte Conteporaneo, Cadiz, Spain.
Yokohama 2001, International Triennial of Contemporary Art, (installation),
Yokohama, Japan.

2000 Solo Cleaning the House: Traveling Cabinet, Kiasma Museum of Contemporary
Art, Helsinki, Finland.
Galerie Cent8, Paris, France.
Marina Abramovic: Luminosity, Insomnia, Dissolution 1997, University of
Florida, Samuel P. Harn Museum of Art, Gainesville, FL.
Marina Abramovic: Soul Operations Room, Kappatos Gallery, Athens,
Greece.
Public Body – Artist Body, (performance, video installations, objects),
Kunstverein Hannover, Hannover, Germany
2000 Group Acoustic Architecture Architectural Acoustics, Aronson Gallery #1,
Parsons School of Design, New York, NY.
Anableps, Studio Stefania Miscetti, Rome, Italy.
Animal, Anima, Animus, The Winnipeg Art Gallery, Winnipeg, Canada.
Arteast Collection: The Art of Eastern Europe in Dialogue with the West;
From the 1960s to the Present. The Museum of Modern Art,
Ljubljana, Slovenia.
Das Gedächtnis der Kunst, Historiches Museum, Schirn Kunsthalle,
Frankfurt, Germany.
Dream Machines, a National Touring Exhibition organized by the
Hayward Gallery, London, for the Arts Council of England. Exhibition tour: Dundee Contemporary Arts, Mappin Art Gallery, Sheffield, and Camden Arts Centre, London.
Echigo-Tsumari Art Triennial 2000, (installation), Sarugaku-cho,
Shibuya-ku, Tokyo, Japan.
Global Conceptualism: Points of Origin, 1950s-1980s, MIT List Visual
Arts Center, Boston, MA.
Group Show, Galerie Ingrid Dacié, Tübingen, Germany.
Heimat Kunst, (performance photographs), Haus der Kulturen der Welt,
Berlin, Germany.
Hypermental. Rampant Reality 1950-2000 from Salvador Dali to Jeff
Koons, (video installation), Kunsthaus Zurich. Traveled to
Hamburger Kunsthall, Hamburg, Germany; Rudolfinum, Prague,
Czech Republic.
Insistent Memory: The Architecture of Time in Video Installation,
University of Florida, Samuel P. Harn Museum of Art, Gainesville,
FL.
La Forma del Mondo/ La Fine del Mondo, (video installation), PAC
(Padiglione d’Arte Contemporanea), Milan, Italy.
Lie of the Land earth body material, John Hansard Gallery, University of
Southampton, Southhampton, England.
Lost Paradise Lost, Ev. Luth Stadkirchenverband, Hannover/Hamburg, Germany.
Ma Sorciere bien aimée, Musée d’Histoire de la Ville de Luxembourg,
Luxembourg.
Performing Bodies, (video), Tate Modern, London, England.
Stanze e Secreti, Milan, Italy.
Ventana hacia Venus – Window onto Venus, Bienal de la Habana, Teatro
National/Galeria Rene Portocarrero, Havana, Cuba.
Video Time: Survey of Videos from the Museum of Modern Art's
Renowned Collection Traces the History of the Medium, The Museum of Modern Art, New York, NY.
Voici – 100 and d’art contemporain, (video installation), Palais des Beaux
Arts, Brussels., Belgium.
Zeitwenden, (public performance and installation), Ludwig Museum,
Vienna, Austria.
Central Europe 1949-1999, The Brooklyn Museum of Art, Brooklyn, NY.

1999 Solo Cleaning the House, Kiasma, Museum of Contemporary Art, Helsinki,
Finland.
Expiring Body, Fabric Workshop and Museum, Philadelphia, PA.
Galerie Cent8, Paris, France.
Marina Abramovic: Spirit House, Centrum Sztuki Wspólczesnej Zamek
Ujazdowski, Warsaw, Poland.
Ulay & Abramovic, collaboration with Ulay, Musée d’Art Contemporain,
Lyon, France.
1999 Group Postmedia: Conceptual Photography in the Guggenheim Museum
Collection, The Solomon R. Guggenheim Museum , New York, NY.
Zeitwenden, (object installation: Soul Operation Room), Kunstmuseum,
Bonn, Germany.
Lie of the Land: earth. body. material. John Hansard Gallery University of
Southampton, Southampton, England.
Regarding Beauty: A View of the Late Twentieth Century, Hirshhorn
Museum and Sculpture Garden, Washington, DC.
Calendar 2000, Center for Curatorial Studies, Bard College, Annandale-
on-Hudson, NY.
Kiasma Museum of Contemporary Art, Helsinki, Finland.
Impact: Revealing Sources for Contemporary Art, Contemporary Museum,
Baltimore, MD.
Inderlightens Spill: Images of Religious Contemplation, (video
installation), Kunstmuseum, Lillehammer, Norway.
Where Are You? Center for Curatorial Studies, Bard College, Annandale-
on -Hudson, NY.
Comfort Zone: Furniture by Artists, Paine Webber Art Gallery, New York,
NY.
Animal.anima.Animus, Pori Art Museum, Pori, Finland. Traveled to the
Museum of Modern Art Arnhem, Holland and P.S.1 Contemporary Art Center, Long Island City, New York, NY.
Global Conceptualism: Points of Origin, Queens Museum of Art, Queens,
NY.
The Time of Our Lives, The New Museum of Contemporary Art, New
York, NY.
La Ville, le Jardin, la Mémoire, Academie de France, Villa Medici, Rome,
Italy.
Aspects - Positions. 50 years of Central European Art 1949 – 1999,
Museum Kunst Stiftung Ludwig Wien, Vienna, Austria.

1998 Solo Marina Abramovic; Expiring Body, Fabric Workshop and Museum,
Philadelphia, PA.
Marina Abramovic; Artist Body-Public Body, Kunstmuseum Bern, Bern,
Switzerland. Traveled to Lonja del Pescado, Alicante, Spain; Moderna galerija Ljubljana Museum of Modern Art and Cankarjev dom, Ljubljana, Slovenia.
Marina Abramovic: objects, performance, video, sound, traveling
exhibition, Museum of Contemporary Art, Sydney, Australia.
Marina Abramovic: The Hunt/La Caza, Sala La Gallera, Valencia, Spain.
Marina Abramovic: Biography/Biography, Teatre Rialto, Valencia, Spain.
Ulay/ Abramovic, Performance Works 1976-1988, Tramway, Glasgow,
Scotland.
1998 Group Corpus Virtu, Sean Kelly Gallery, New York, NY.
Out of Actions: Between Performance and the Object, 1949-1979, The
Museum of Contemporary Art, Los Angeles, CA. Traveled to MAK
-Ausstellungshalle, Vienna, Austria.
Partners, Philadelphia Museum of Art, Philadelphia, PA.

Wounds: Between Democracy and Redemption in Contemporary Art,
Moderna Museet, Stockholm, Sweden.
Wånas 1998, Wånas Foundation, Knislinge, Sweden.
Landscape. The Trace of the Sublime. Kunsthalle zu Kiel der Christian-
Alberchts- Universität, Kiel, Germany; traveled to Kunstraum Innsbruck, Innsbruck, Austria and Esbjerg Kunstmusem, Esberj, Denmark.
Body and the East, From the 1960s to the Present, Moderna Galerija
Ljubljana, Ljubljana, Slovenia.
New Science, Edmonton Art Gallery (EAG), Edmonton, Canada.
Body Double, Winston Wächter Fine Art Gallery, New York, NY.
Persona, Galerie Carousel, Paris, France.
Escape at Remanence, Former Melbourne Magisrates’ Court and City
Watch House, Melbourne, Victoria, Australia.
"Out of Actions: Between Performance and the Object, 1949-1979,"
Museum of Contemporary Art, Tokyo and Museum of
Contemporary Art, Los Angeles, The Museum of Contemporary
Art, Vienna, Museu d’Art Contemporani de Barcelona (video, slides
and installation).
Nine International Artists, (video installations and site-specific project),
The Wanas Foundation, Knislinge, Sweden.

1997 Solo Balkan Baroque, XLVII Biennale de Venezia, Venice, Italy (Recipient of the
Golden Lion Award).
Spirit House and Performance Luminosity, Sean Kelly Gallery, New York,
NY.
Performing Body, Setagaya Museum, Tokyo, Japan.
Marina Abramovic Works, (video installation and photographs), CCA,
Kitakyushu, Japan.
The Bridge, (video installation), City Museum of Contemporary Art,
Skopje, Macedonia.
Boat Emptying/Stream Entering, Sean Kelly, New York, NY.
Marina Abramovic 1979-1987, Okazaki Tamako Gallery, Tokyo, Japan.
Ulay/Abramovic, Van Abbe Museum, Eindhoven, The Netherlands.
Performing Body, (objects and video installation), Studio Stefania Miscetti,
Rome, Italy. Traveled to Palazzo delle Esposizioni, Rome, Italy; Zerynthia, Paliano, Italy.
1997 Group Animalities, Monti Video (Time Based Arts), Amsterdam, The
Netherlands.
Future, Past, Present, 1965-1997, XLVII Biennale de Venezia, Venice,
Italy. (video installation Balkan Baroque, performance, Cleaning the House).
Artist Projects, P.S. 1 Contemporary Art Center, Long Island City, NY.
De-Genderism, (video installation, performance, Cleaning the House),
Setagawa Art Museum, Tokyo, Japan.
Shoes or No Shoes?, Shoes of Artists, Vishal, Haarlem, The Netherlands.
Spirit House, (video installation), Biennale de Obidos, Obidos, Portugal.
The Compulsion to Remember, Center for Curatorial Studies, Bard
College, Annandale -On-Hudson, NY.

1996 Solo Spirit Cooking, Galerie de Lege Ruimte, Ghent, Belgium.
Boat Emptying Stream Entering, University of North Texas Art Gallery,
Denton, Texas. Traveled to Center for Research in Contemporary Art, University of Texas at Arlington, TX.
The House, Five Rooms and Storage, Middlesbrough Art Gallery,
Middlesbrough, England.
Chair for Man and His Spirit; Chairs for Man and Spirit, (site-specific
installation Okasaki Mindscape Museum, Okasaki, Japan.
Chair for Spirits, (site-specific project), Dallas, TX.
Cleaning the Mirror, (performance), Villa Stuck, Munich, Germany.
Cleaning the Mirror, (installation), Miro Foundation, Palma, Mallorca,
Spain.
Biography, Groninger Stanschouwburg, Groningen, Holland.
The Urgent Dance, Museum of Contemporary Art, Ghent, Belgium.
1996 Group Cleaning the Mirror, (video installation), Cultural Elzenveld, Antwerp,
Belgium.
In Between in Running Trains, (video installation), Gynaika, Antwerp,
Belgium.
Girls, Bad Girls!, Cultuur Centrum, Brugge, Belgium.
NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark.
Video Sans Titre, Galerie Froment + Putnam, Paris, France.
Vier Positionen Holländischer Plastik, Skulpturen Museum, Glaskaten
Marl, Germany.
Walking and Thinking and Walking, Louisiana Museum, Odense,
Denmark.
Art meets Science, Spirituality in a Changing Economy, Copenhagen,
Denmark.

1995 Solo Cleaning the Mirror, (object installation and performance), Sean Kelly,
New York, NY.
Biography, (theater performance), Singel Theater, Antwerp, Belgium.
Biography, (theater performance), Greer Carson Theatre, Santa Fe, NM.
Marina Abramovic: objects, performance, video, sound, Museum of
Modern Art, Oxford, England. Traveled to Fruitmarket Gallery,
Edinburgh, Scotland; Irish Museum of Modern Art, Dublin, Ireland;
Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Villa Stuck,
Munich, Germany; Groninger Museum, Groningen, Holland;
Museum van Hedendaagse Kunst, Ghent, Belgium.
Cleaning the Mirror, Museum of Modern Art, Oxford, England.
Double Edge, installation for Kunstmuseum des Kantons, Karthause
Ittingen, Switzerland.
Performance Anthology, Video, Drawings, Klaus Fischer Gallery, Berlin,
Germany.
Rapture, the Body, Ritual + Sacred Practice, I.C.A., London, England.
1995 Group Longing and Belonging, Site Santa Fe, Santa Fe, NM.
Becoming Visible, (video installation), Istanbul Biennale, Istanbul, Turkey.
Padova Biennale, Padua, Italy (Francalanci’s section); Biennale de Lyon,
Lyon, France.
Inbetween, (group installation), Thuringen, Germany.
Feminin/masculin, Centre Georges Pompidou, Paris, France.
Autour de Roger Vivier, Galerie Enrico Navarra, Paris, France.
Artists Against Violence, Neuer Aachener Kunstverein, Aachen, Germany.
Ram = Realität, Anspruch, Medium, Wartesaal, Kunstfonds, Bonn,
Germany.
Avant - Garde Walk in Venezia, Venice, Italy.
I am You, artists against racism, Amsterdam, The Netherlands.
Ruimtelijke Manuscripten, serie De Stadsbibliotheek van de Zintuigen,
Bibliotheek Amsterdam, The Netherlands.

1994 Solo Marina Abramovic: Departure, Laura Carpenter Fine Art, Santa Fe.
NM.
Delusional, (theater performance), Monty Theatre, Antwerp, Belgium.
Traveled to Theatre am Turm (TAT), Frankfurt, Germany.
Image of Happiness, (extract of Delusional), Steirischer Herbst, Graz,
Austria.
Faret Tachikawa, (permanent outdoor installation of Black Dragon
Pillows), Tokyo, Japan.
1994 Group Hors Limites - L'Art et la Vie, (objects, video), collaboration with Ulay,
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
Visceral Responses, Holly Solomon Gallery, New York, NY.
Künstlertraumen Berlin, Stiftung Neue Kultur, Berlin, Germany.
Voetsporen, Artoteek, Dordrecht, The Netherlands.
Beeld, Museum van Hedendaagse Kunst, Ghent, Belgium.
Different Natures, Espai 2, Barcelona, Spain.
Georgius Agricola, Kunstsammlung, Chemnitz, Germany.
Shoes from Artists, X, Pilar and Juan Miró Foundation, Mallorca, Spain.
Metaphysical Metaphors, High Museum of Art, Atlanta, Georgia.
Dialogue with the Other, Künshallen Brands Klaederfabrik, Denmark.
Traveled to Norrköpings Konstmuseum, Sweden.
L'art à la plage, Jumeaux, France.
Naturally, Ernst Museum, Budapest, Hungary.
Buch und Kunst, Galerie Renate, Hamburg, Germany.
Beyond the Pale, Irish Museum of Modern Art, Dublin, Ireland.
I Am You, Cleaning the House, (poster project held across several
European cities by Ugo Dossi and Thomas Barth).

1993 Solo Biography, (theater performance), Theater am Turm [TAT], Frankfurt,
Germany. Traveled to Hebbeltheater, Berlin, Germany.
Marina Abramovic, Jean Bernier Gallery, Athens, Greece.
Marina Abramovic, Palazzo dei Diamanti, Ferrara, Italy.
Dragon Heads, (performance), Caixa de Pensiones, Barcelona. Traveled
to Kunstmuseum, Bonn, Germany; Kunsthalle, Hamburg, Germany.
Wartesaal, (installation), Neue Nationalgalerie, Berlin, Germany.
1993 Group La Coesistenza dell'Arte, Biennale, Venice, Italy.
Cerco, Biennial Internacional de Obidos, Obidos, Portugal.
World Wide Video Festival, World Wide Video Centre, The Hague,
The Netherlands.
Différentes Natures, La Défense, Paris, France.
Becoming Visible, (video installation), Feuer Wasser Erde Luft, Mediale,
Deichtorallen, Hamburg, Germany. Traveled to Galerie Franck + Schulte, Berlin, Germany.
I am You, Cleaning the House, Billboard Project, Antwerp, Belgium.
Mediale, Deichtorhallen, Hamburg, Germany.
20 Jahre Künstler-Videos, Hamburger Kunsthalle, Berlin, Germany.
Arte Amazonas, Staatliche Kunsthalle, Berlin, Germany.

1992 Solo Marina Abramovic, École Nationale Supérieure des Beaux-Arts, Paris,
France.
Transitory Objects, Galerie Krinzinger, Vienna, Austria.
The Bridge, Galerie Ingrid Dacic, Tübingen, Germany.
Becoming Visible, Galerie des Beaux Arts, Brussels, Belgium. Traveled to
Musée Montbéliard, Montbéliard, France.
Wartesaal, Neue Nationalgalerie, Berlin, Germany.
Dragon Heads, Caixa de Pensiones, Barcelona, Spain. Traveled to
Kunstmuseum Bonn, Germany.
Biography, Kunsthalle Wien, Vienna, Austria.
1992 Group Documenta 9, Kassel, Germany.
Spatial Drive, The New Museum of Contemporary Art, New York, NY.
Faszination Edelstein, Hessisches Landesmuseum, Darmstadt, Germany.
The Biography, Edge 92, International Biennial of Innovative Visual Art,
Madrid, Spain. Traveled to Kunsthalle, Vienna, Austria.
Van Vlees en Bloedt, (video documentary of performance and objects),
collaboration with Ulay, Stedelijk Museum, Schiedam,
The Netherlands.
The Comfort Zone, The Living Room, Amsterdam, The Netherlands.
Die Künstlerpostkarte, Altonaer Museum, Hamburg, Germany.
Frischluft, Wilhelm Lehmbruck Museum, Duisburg, Germany.

1991 Solo For your eyes only, De Waag, Leiden, Germany.
Departure, Galerie Enrico Navarra, Paris, France.
Marina Abramovic, Victoria Miro Gallery, London.
The Lovers, Museum of Contemporary Art, Montreal, Canada.
1991 Group Arte Amazonas, Museo de Arte Moderna, Rio de Janeiro, Brazil.
Das Goldene Zeitalter, Wurttembergischer Kunstverein, Stuttgart,
Germany. Traveled to Ludwig Forum für Internationale Kunst, Aachen, Germany.
Fuente, Nieuwe Kerk, Amsterdam, The Netherlands.

1990 Solo The Lovers, (objects and performances), Städtische Kunsthalle,
Düsseldorf, Germany.
Green Dragon Lying, Städtische Kunsthalle, Düsseldorf, Germany.
Boat Emptying/Steam Entering, Galerie Ingrid Dacic, Tübingen, Germany.
Le Guide Chinois, Galerie Charles Cartwright, Paris, France.
Marina Abramovic: Sur la Voie, Galeries Contemporaines, Centre Georges
Pompidou, Paris, France.
Dragon Heads, Museum of Modern Art, Oxford, England.
Edge '92, (performance), The Church, Newcastle-Upon-Tyne, England.
Traveled to Third Eye Centre, Glasgow, Scotland.
Boat Emptying/Stream Entering, (performance and objects), Museum of
Modern Art, Montreal, Canada.
Aphrodite, Communal Centre, Cyprus.
1990 Group The Shadow of Presence, Galerie Charles Cartwright, Paris, France.
De Verzmeling II, Museum van Hedendaagse Kunst, Antwerp, Belgium.
Venus, Musée Albi, Albi, France.
Noli Me Tangere, Kunstmuseum, Sion, Switzerland.
Nature in Art, Kunstmuseum, Vienna, Austria.

1989 Solo Boat Emptying/Stream Entering, Victoria Miro Gallery, London, England.
The Lovers, Stedelijk Museum, Amsterdam, The Netherlands. Traveled to
Museum van Hedendaagse Kunst, Antwerp, Belgium.
Green Dragon Lying, Museum van Hedendaagse Kunst, Antwerp,
Belgium. Traveled to Stedelijk Museum, Amsterdam, The Netherlands.
SSS, (directed by Charles Atlas), Madrid, Spain.
Boat Emptying/Stream Entering, (sound: Charlemagne Palestine),
Frankfurt, Germany.
1989 Group Magiciens de la Terre, Musée National d’Art Moderne, Centre Georges
Pompidou, Paris, France.
Wanderers, Galerie Charles Cartwright, Paris, France.
And they see God, Pat Hearn Gallery, New York, NY.
Das Verhältnis der Geschlechter, (installation of objects), Kunstverein,
Bonn, Germany.
Over den gres, (installation), Nederlands Textielmuseum, Tillburg, The
Netherlands.
Video-Skulptur Retrospektiv und Aktuell 1963-1989, Kölnischer
Kunstverein, Cologne, Germany. Traveled to Kongresshalle,
Berlin, Germany; Kunsthaus, Zurich, Switzerland.

1988 Solo China Ring, Burnett Miller Gallery, Los Angeles, CA.
Anima Mundi, Galerie Ingrid Dacic, Tübingen, Germany.
1988 Group After 15 Years, (photo documentation of performances) Happy New
Gallery, SCC, Belgrade, Yugoslavia.
Beelden voor blinden en zienden, Oude Kwekje, Kortenhoef, The
Netherlands.
The Flag Project, 50 Artists/50 Flags, Venice, Italy.
Roots and Turns, 20th Century Photography in the Netherlands, Blaffer
Gallery, University of Houston, TX. Traveled to Stedelijk Museum, Amsterdam, The Netherlands.
Rijksaankopen 1987; wer van hedendaagse beeldende kunstenaars,
Stedelijk Museum, Schiedam, The Netherlands.
Documenta 8, Kassel, Germany.
Photo Mannerisms, Lawrence Oliver Gallery, Philadelphia, PA.

1987 Solo Die Mond der Sonne, (Mikado object and Polaroids), Centre d’Art Contemporain, Palais Wilson, Geneva.
Ulay/Marina Abramovic, (Polaroids), Contemporary Art Center, Cincinnati, Ohio.
Tuesday/Friday, (Polaroids), Galerie Rene Blouin, Montreal; Michael Klein, New York
Group Arrangements for the Camera: A View of Contemporary Photography, (Polaroids), Baltimore Museum of Art, Baltimore.
This is not a Photograph: Twenty Years of Large Scale Photography, 1966-68, (Polaroids), Ringling Museum of Art, Sarasota, Florida.
“Blow Up” Zeitgeschichte, (Polaroids), Wurttembergischer Kunstverein, Stuttgart; Haus am Waldsee, Berlin; Kunstverein, Hamburg; Kunstverein, Frankfurt; Kunstmuseum, Lucerne; Rheinisces Landesmuseuem, Bonn.
Avant-Garde in the Eighties, (Polaroids), Los Angeles County Museum of Art, Los Angeles.
Von Chaos und Ordnung der Seele, (Polaroids), Kunst in der Psychiatrischen Klinik der Universitat, Mainz, Germany.
Art from Europe, (Polaroids), The Tate Gallery, London; Stedelijk Museum, Amsterdam; The Museum of Contemporary Art, Los Angeles; Institute of Contemporary Art, Boston.
Animal Art, (photo doc. of performance Three), Steirischer Herbst ’87, Graz, Austria.
The Mirror + The Lamp, (Polaroids), The Fruitmarket Gallery, Edinburgh, Scotland.
Die Gleichzeitigkeit des Anderen, (objects vases The Sun and the Moon), Kunstmuseum, Bern.
The 100 Days of Contemporary Art of Montreal 1987, (Polaroids), International Center of Contemporary Art, Montreal.

1986 Solo Nightsea Crossing, (Performance), New Museum of Contemporary Art, New York.
Risk in Age of Art, (video document of performance), University Baltimore, Galitimore; The House, Santa Monica, California.
Nightsea Crossing Complete Works, (objects, performance and photographic documentary), Musee SaintpPierre d’Art Contemporain, Lyon.
Tuesday/Saturday, (Polaroids), Curt Marcus Gallery, New York.
Ulay/Marina Abramovic, (Polaroids), San Francisco Art Institute, San Francisco.
Group The Real Big Picture, (Polaroids), The Queens Museum, Queens, New York.
Collaboration with Ulay, (Polaroids), Burnett Miller Gallery, Los Angeles.
Momento Mori, Moore College of Art, Philadelphia.
Sixth Annual San Francisco Video Festival, (City of Angels video), San Francisco.
Alles und noch viel mehr, das poetische ABC, (performance of Modus Vivendi), Kunsthalle/Kunstmuseum, Bern.
Nightsea Crossing, (performance), Teatro Musica Performances Music Theatre, Fundacion Calouste Gulbenkian, Lisbon.
Rememberances of Things Past, (Polaroids), Long Beach Museum of Art, Long Beach, California.
Rijksaankopen 1985, (Polaroids), Logement, Gravenhage, The Netherlands.
Big Portraits, (Polaroids), Jeffery Hoffield & Co., New York.
Emerging Artists ’86, (Polaroids), Cleveland Centre for Contemporary Art, Cleveland, Ohio.
1986 Houston Fotofest, (Polaroids), Blaffer Gallery, University of Houston, Houston, Texas.
Foto Cliché, (Polaroids), Victoria Miro Gallery, London; Orchard Gallery, Derry, Northern Ireland.
Photography as Performance, (photographic doc. of performance), The Photographer’s Gallery, London.
Modus Vivendi Tuesday/Saturday, (Polaroids) Burnett Miller Gallery, Los Angeles; Visual Arts Centre, Cambridge, Massachusetts.

1985 Solo Modus Vivendi, (performance), Kunstmuseum, Stadttheater, Bern; Saskia Theatre, Arnhem, The Netherlands.
Nightsea Crossing, (performance), Fundaciao Calouste Gulbenkian, Lisbon; First International Biennial, Ushimado, Japan; XVIII Bienal de Sao Paulo, Sao Paulo.
Fragilissimo, (theatre performance), with M. Laub and Mr. Mondo, Stedelijk Museum, Amsterdam.
Group Amsterdam buys Art, (Polaroids), Municipal Art Acuisition 84, Museum Fodor, Rijksaankopen 1984, Gravenhage, The Netherlands.
Von Hier aus, Zwei Neue. Deutsche Kunst im Dusseldorfer Messegelande, (Polaroids), Dusseldorf.
L;Art et le Temps, Regards sur la Quatrieme Dimension, (China project concept, photographic documentation), Musee Rath – Musee d’Art et d’Histoire, Geneva.
Content: A Contemporary Focus 1974 – 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C.
Symbol Tier, (photographic documentation of Performance 3), Krinzinger, Innsbruck, Austria.
By the river 3: international photography today, (Polaroids), The Pori Art Museum, Pori, Finland.
Hoogtepunten uit de fotocollective van het Stedelijk Museum, (Polaroids), Museum Fodor, Amsterdam.
As far as Amsterdam Goes, (Polaroids), Stedelijk Museum, Amsterdam.
Das Auge des Kunstlers, (Polaroids) Logetta Lombardesca, Ravenna, Italy; Kunstverein, Frankfurt.

1984 Solo Positive Zero, (performance), Stadsschouwburg, Eindhoven, The Netherlands.
Nightsea Crossing, (performance), Museum van Hedendaagse Kunst, Ghent, Belgium; Galerie/Edition Media, Furkapass, Furka, Swizerland; Stadtisches Kunstmuseum Bonn; Forum, Middleburg, The Netherlands.
Modus Vivendi, (performance), Institute of Contemporary Art, Boston.
Group Forun un Scene 1984, Abdijcomplex, Vleeshal, Kuiperspoort, Middleburg, The Netherlands.
La Zattera di Babele, een Carrousel van Beeld, Muziek, Woord en Theatre, Nightsea Crossing, (performance).

1983 Solo Nightsea Crossing / Conjunction, (performance), Museum Fodor, Amsterdam.
Positive Zero, (theater performance), Holland Festival, Carre Theater, Amsterdam; Muziekcentrum Vredenburg, Utrecht; De Doelen, Rotterdam.
Modus Vivendi, (performance), Progetto Genazzano, Zattera di Babele, Genazzano, Italy.
Group Nightsea Crossing ARS ’83, (performance), The Art Museum of the Ateneum, Helsinki.
De Goddelijke Kondeie, (Polaroids), Rotterdaamse Kunststichting, ‘t Venster, Rotterdam.
Vision of Disbelief: The 4th Biennial of Sydney, (photographic documntation of Nightsea Crossing), Art Gallery of New South Wales, Sydney.
Live to Air, Artist’s Sound Works, (sound work), Tate Gallery, London.
’60 ’80 Attitudes/Concepts/Images, (Polaroids), Stedelijk Museum, Amsterdam.

1982 Solo Nightsea Crossing, (performance), Skulpturenmuseum, Marl, Germany; Kunstakademie Dusseldorf; Kunstlerhaus Bethanien,m Berlin; Kolnischer Kunstverein/Molkerei, Cologne; Stdelijk Museum, Amsterdam, The Netherlands; Museum of Contemporary Art, Chicago; A Space/Town Hall, Toronto; documenta 7, Kassel, Germany.
Luther, (installation), Kabinett fur aktuelle Kunst, Bremerhafen, Germany.
Group Momentbild: Kunstlerphotographie, (Polaroids), Kestnergesellschaft, Hannover.
Videokunst in Deutschland 1963-1982, (touring exhibition with video installation Crazed Elephant), Kolnischer Kunstverein, Cologne.
Contemporary Art from The Netherlands, Museum of Contemporary Art, Chicago, Illinois.
Documenta 7, (photographic work), Kassel, Germany.
11eme Festival International du Nouveau Cinema Montreal 1982, Montreal.
Vision in Disbelief; the 4th Biennial of Sydney, (video works), The Art Gallery of New South Wales, Sydney.
Live to Air; Artists’ Sound Works, (sound works), Tate Gallery, London.
’60 ’80 Attitudes/Concepts/Images, (Polaroids), Stedelijk Museum, Amsterdam.

1981 Solo Gold found by the Artists, Nightsea Crossing, Art Gallery of New South Wales, Sydney.
Witnessing, (performance), ANZART, The Art Centre, Christchurch, New Zealand.
6WF, (performance), The Art Gallery of Western Australia, Perth.
Group Artists’ Photographs, (Polaroids), XVI Bienal de Sao Paulo, Sao Paulo; Crown Point Press Gallery, Oakland, California.
Instant Fotografie, (Polaroids), Stedlijk Museum, Amsterdam.

1980 Group Rest Energy, Rose ’80: The Poetry of Vision: An International Exhibition of Modern Art and Chinese Painting, (performance), School of Architecture, University College, National Gallery of Ireland, Dublin.

1979 Solo The Brink, European Dialogue, (performance), 3rd Biennal of Sydney, Art Gallery of New South Wales, Sydney.
Go…Stop…Back…Stop… (performance), National Gallery of Victoria, Melbourne.
Communist Body/ Fascist Body, (performance), Zoutkeergracht 11/118, Amsterdam.
Installation One, (installation), Stichting De Appel, Amsterdam.
One the Way, (sound work), Audio Arts, Riverside Studios, London.
Group Trigon ‘79/Masculin-Feminin, Steirischer Herbst ’79, (photographic documentation, Neue Galerie, Graz, Austria.
Photograhi als Kunst 1879-1979/Kunst also Photographie 1949-1979,

1978 Solo AAA-AAA, (performance), RTB television studio, Liege.
Incision, (performance), Galerie H-Humanic, Graz
Kaiserschnitt, (performance), Performance Festival, Hofreischule, Vienna.
Work/Relation, (performance), Extract Two, Theatre aan de Rijn, Arnhem, The Netherlands; Palazzo dei Diamanti, Ferrara, Italy; Badischer Kunstverein, Karlsruhe, Germany.
Three, (performance), Harlekin Art, Weisbaden, Germany.
Installation One, Stichting De Appel, Amsterdam.
Installation Two, Harlekin Art, Wiesbaden, Germany.

1977 Solo (photo doc. of performances Rhythm 10, 2, 5, 4, 0), Galerie Magers, Bonn, Germany.
MAGMA, (photo doc. of performances Rhythm 10, 2, 5, 4, 0), Museum of Verona, Verona, Italy.
Group Interruption in Space, (performance), Staatliche Kunstakademie, Dusseldorf.
Breathing In/Breathing Out, (performance), Student Cultural Centre, Belgrade; Stedelijk Museum, Amsterdam.
Imponderabilia, La performance oggi: settimana internazionale della performance, (performance), Galleria Comunale d’Art, Moderna, Bologna.
Expansion in Space, (performance), documenta 6, Kassel.
Relation in Movement, X Biennale de Paris, (performance), Musee d’Art Moderne de la Ville de Paris.
Relation in Time, (performance) Studio G7, Bologna.
Light/Dark, (performance), Internationale, Kunstmesse, Cologne.
Balance Proof, (performance), Musee d’Art et d’Histoire, Geneva.

1976 Solo Talking about Similarity, (performance), Signal 64, Amsterdam.
Freeing the Body, (performance), Kunslerhaus Bethanien, Berlin.
Group Biennale di Venezia; Ambiente/Participazione/Strutture Culturali, (performance), Venice
M. Abramovic, Natalia L.L., G. Pane, (performance), Galeria Arte Verson, Genoa.
Photography as Art, (photo documentation of works), Contemporary Art Gallery, Zagreb; Museum of Modern Art, Belgrade.

1975 Solo Rhythms 10; 2; 5; 4; 0, (photo documentation of performances), Museum of Contemporary Art, Belgrade.
Freeing the Voice, (video installation), Galerie De Appel, Amsterdam.
Photo documentation of performances Rhythms 10, 2, 5, 4, 0, Galerie Krinzinger, Innsbruck; Galleria Diagramma, Milan; Studio Morra, Naples.
Thomas Lips, (performance), Galerie Krinzinger, Innsbruck.
Warm/Cold, (performance), Fruitmarket Gallery, Edinburgh.
Art must be Beautiful, Artist must be Beautiful, (performance), Art Festival, Copenhagen.
Role Exchange, (performance) Galerie De Appel/Red Light District, Amsterdam.
Freeing the Memory, (performance), Galerie Dacic, Tubingen.
Freeing the Voice, (performance), Student Cultural Centre Gallery, Belgrade.
Group Aspekte Gegenwartskunst aus Jugoslawien, (photo doc. of performances Rhythm 10, 2,5,4,0), Akademie der Bildenden Kunst, Vienna.
Yugoslave Avant-Garde Art, (photo doc. of performances Rhythm 10, 2, 5, 4, 0), Gallery Wspolzescna, Warsaw.

1974 Solo Spaces, (installation), Gallery of Contemporary Art, Zagreb.
Rhythm 5, (performance), Expanded Media Festival, Student Cultural Centre, Belgrade.
Rhythm 2, (performance), Gallery of Contemporary Art, Zagreb.
Rhythm 4, (performance) Galleria Diagramma, Milan.
Rhythm 0, (performance) Galleria Studio Morra, Naples.
Group Letters 1959-1973, Six Artists, Cultural Centre Gallery, Belgrade.
Xerox Works Exhibition, (Xerox works), Students Centre Gallery, Zagreb, Yugoslavia.
7 Secretaries of SKOJ-A, (documentation of performance – prize awarded from Rhythm 5), Prize Winners, Galeria Nova, Zagreb.
Signalism, (computer poetry), Contemporary Art Gallery, Zagreb.
New Artistic Practice in Yugoslavia 1968-1974, (photographic documentation of performances Rhythms 10 , 2, 5, 4, 0), Gallery of Contemporary Art, Zagreb.


 

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MARINA ABRAMOVIC

 
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